Physical intervention on a public surveillance camera in Piazza Navona, Rome.
The work investigates the relationship between spectator and spectacle through an act of obstruction imposed onto a shared live stream.

The lamb refers to Saint Agnes, martyred in this location as part of a public spectacle. Similar dynamics repeats in contemporary conditions of constant visibility.

Materials: Cathode-ray tube television, miniature lamb.

Exhibited in "nonQ Tutto Sotto Controllo" (2025) Rome, Italy.
Curated by Ludovico Genone and Giulia Sfirro.