The installation is composed of three videos displayed in a continuous loop across three separate 16:9 screens. 

Each videos reinterprets the woodcut print “Snakes” by M.C.Escher, using dynamic ASCII characters to create evolving visual patterns. The aim is to show how chaos can create order through motion, repetition, and transformation.

The installation takes viewers on a perceptual journey, showing how chaos can evolve into discernible forms. This progression mirrors Escher’s work, where infinite patterns transform into structured, geometric beauty. 

The installation emphasize that transformation is both inevitable and infinite and how meaning can emerge even in the most unpredictable moments.

Exhibited in “The Name Of The Snake” (2025), Gola Gallery, Milan.

Curated by Ying Huang.