The work explores the role of memory in a historical period in which unlimited access to information turns experiences into noise throught AI generated images. Beneath their ASCII versions appear as the hidden structure, exposing the mechanics of images that no longer refer to reality but feed endlessly on themselves. We coexist with technological memory that stores everything, yet we experience a programmed amnesia in which the excess of images erases their significance. The result is a collective condition in which remembering and forgetting are no longer opposites but simultaneous processes, both sustained by the endless production of simulacra. Like the Tower of Babel, unlimited access does not generate knowledge but noise. Memory is no longer rooted in experience but neutralized in an infinite simulation, where the accumulation of knowledge equals emptiness.

Video 9’31”

Projected at the event "Diurni" (2026) Belluno, Italy.
Curated by Caterina Miari Fulcis.

Exhibited in "nonQ Tutto Sotto Controllo" (2025) Rome, Italy.
Curated by Ludovico Genone and Giulia Sfirro.